Posted by
Burorambo on Monday, October 08, 2007 11:19:24 AM
In a recent interview on 60 Minutes, rock star Bruce Springsteen justified the anti-Bush political message in the lyrics of his latest album by saying he wanted to share his political opinions with his audience. He actually compared himself with the class of American protest artists: Woodie Guthrie and Bob Dylan.
First, to paraphrase LLoyd Bentson's famous comment to Dan Quayle, Bruce is no Bob Dylan. Springsteen makes the same mistake in his music that other pop artists today, who want to make a political statement, are making in theirs: they are rudely attacking President Bush as a person. The elder Guthrie and Dylan sang about great causes, such as peace and justice, freedom, and alleviating hunger and poverty. Though he has become more crass and stident recently, folkie Pete Seeger was more like his mentors back in the day. Artists like Springsteen, Norah Jones and John Mayer probably should write about larger causes or stick to more traditional themes lest they appear to be people with big heads but small minds.
Second, artists like Guthrie and Dylan were protest singers first and entertainers second. Their social and political ideas and the way they captured them in their lyrics is what made them popular and famous. Springsteen rode to the arena stage as a rock and roll entertainer in a hot car along Jersey mean streets and beach front arcades. What could possibly make him think his audience wants to stand in line to hear him sing about the Liberal agenda. Does he really think his fans are going to leave the show humming anti-Bush songs?
Finally, when entertainers like Springsteen or Jones, or Penn or Streisand become associated in the minds of their audience with an absolute socio-political position, they risk having all of their future work interpreted in terms of their positions instead of their art. To enjoy art, you have to be able to suspend judgement. You have to be able to ignore that this is not the old west, that drooling monsters have not invaded the space ship, that spies don't usually survive being shot at forty times from one gun ten feet away. Going to a show put on by someone with a political agenda makes it impossible to suspend judgement. It makes you want to look for the wires holding up the dinosaur, search for the political message imbedded in the music or the plot. Audiences tire of the "where's Waldo" game after a while.
Bertold Brecht wrote politically oriented plays in Germany at a time when his ideas could have gotten him persecuted or killed. When called on the carpet by the authorities, he denied an intentional political orientation to his writings. He explained that he just wrote plays and said some people apparently read more meaning into them than he had intended. Great art is not obvious. Perhaps Springsteen and the other wanna-be political artists of today should emulate Brecht, and make their messages a little less apparent.
There is one more thing to keep in mind as you watch or listen to today's politically operational celebrities. Artists like Brecht, Guthrie and Dylan championed the unfranchised, the downtrodden, the powerless. With the exception of Dennis Miller and a few country singers who lean to the Right, today's protest singers lean strongly to the Left. As much as it claims otherwise, the Left is not powerless (it owns Congress), unfranchised (it owns the media) or downtrodden (it owns the universities), and it is not about obtaining control so that it can help the little people.
To quote John Lennon, who Bruce Springsteen also is not:
You say you got a real solution
Well you know, we'd all love to see the plan
You ask me for a contribution
Well you know, We're doing what we can
But when you want money for people with minds that hate
All I can tell you is brother you have to wait
Don't you know it's gonna be alright
Alright Alright